Climbing to view the mountains In ancient Chinese landscape painting, there was a focus on changing views as one moved through the landscape. Guo Xi discussed this approach to landscape painting in his work "Linquan Gaozhi. When viewed up close, the mountain appears one way, and when viewed from several miles away, it appears another way. When viewed from tens of miles away, it appears yet another way. The further.
The front, side, and back of the mountain are all different, with each view presenting a unique perspective. This is what is meant by saying that the shape of a mountain changes when viewed from different angles. This work applies the theory of ancient Chinese landscape painting from a two-dimensional plane to a three-dimensional space. By combining it with the logo of the Hongyang Group, the creative integration of the logo is incorporated into the side of the mountain. The undulating and transparent monomers are orderly arranged into a winding mountain, with yellow linear lights segmenting the mountain and interacting with it, while the colors gradually change with the undulations of the mountain and the shallow water reflections change accordingly. When viewed from different angles, the audience can appreciate varying perspectives and scenes, as if looking at a three-dimensional landscape painting. Symbolic of modern civilization, the lights and glass are seamlessly integrated with the water flow and pebbles that represent tradition, embodying the spirit of literati in contemporary urban life.
Author：Ricahrd Zeng
Completion Date: 2019
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